In October half term we were very happy to welcome young people on two one-day workshops at The Courtauld Gallery. A mixture of returning faces from projects, such as Animating Art History and Art History in the Classroom, and new faces from schools and colleges across London.
Day one focused on Prints and Drawings with printmaker and print historian Helen Higgins (@helenhigginsart) leading the day. We visited both the gallery and had an exclusive look at the Prints and Drawings room with Assistant Curator of Works on Paper Dr Rachel Sloan. See below for pictures from the day!
Day two continued the theme of prints and drawings, but this time focusing on Jasper Johns: Regrets at The Courtauld. Working with artist Nadine Mahoney and Dr Katie Faulker, we were lucky enough to have a curator’s tour by Dr Barnaby Wright followed by creating lots of experimental drawings.
We run half term workshops for young people so contact us on email@example.com if you would like to find out more about what is going on! Alternatively drop us a tweet @CourtauldYPCategories: Uncategorized | Comments Off
The 16-19 student visual essay competition is open to all young people aged 16-19 years who are studying or interested in art, art history and the humanities subjects.
Developed in partnership with FE and sixth form tutors, this digital project is centred on twentieth-century art historian Aby Warburg and utilises Pinterest. Pinterest is a great way to collect images digitally and to shift through the multitude of artworks that are available on the internet. We are asking students to create a visual essay based on and around an artwork from The Courtauld Gallery collection.
The project brief supports students in developing visual literacy, research skills, knowledge and confidence for the critical and contextual component of the Art and Design A-level, BTEC and for the EPQ.
HOW TO ENTER:
The Competition opens on the 29th September 2014. The deadline for submissions is the 12th December 2014.
Details on how to submit student work digitally are covered in the brief.
Our Information for Teachers guide contains detaild of CPD opportunities and workshops that we offer to support you in delivering this project.
Find out more:
- Student Competition Brief
- Information for Teachers
- Application Form
- The Courtauld Guide to Using Pinterest
Uncategorized | Tags: clickconnectconstruct, critical and contextual studies, FE colleges, pinterest, post-16, schools, The Courtauld Gallery, Warburg, young people | Comments Off
I really enjoyed my week working as a Student Ambassador at the Art History Summer University. It was a fantastic opportunity to talk to young people about what art history at university is like, as many had not studied the subject before! Over the course of the week I saw the group really build, especially when they were shown in various workshops and introductory lectures how their research and writing skills from other art and design, humanities and even science subjects transferred well into art history.
One of my favourite lectures was Illustrated Books and How to Read Them? given by Dr Caroline Levitt. She spoke engagingly about the role of value in art (something that has definitely cropped up in my studies numerous times so far) and how the value of mass produced items like books can change when an artist draws directly onto them. Her lecture was also good in highlighting the broadness of art history and how ‘art’ goes beyond just a painting, a sculpture, a building, and can be extended to so many other forms and philosophical concepts.
Throughout the week the students were asked to prepare an exhibition pitch in groups. Following several curatorial workshops and a visit to the MA Curation exhibition, currently at The Courtauld Gallery, each group selected a theme and suggested a way in which objects in The Courtauld Gallery’s collection and beyond could be curated around this. Each group had fantastic research skills and a knack for understanding the interrelations between different artworks. Their presentations at the end of the week were truly impressive with clear communication and great visuals.
I really hope that the students enjoyed the week as much as we did and as a result will consider the many possibilities that art history at university level can offer.Uncategorized | Tags: art history, CourtauldGallery, curation, higher education, student ambassador, summer university, widening participation, young people | Comments Off
How about check out our top exhibitions in London for Summer 2014. Between stints on the beach of course!
Art and Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, William Staite Murray, 1920-31, Dulwich Picture Gallery, Tue Jul 1 – Sun Sep 21
British Folk Art, Tate Britain, Mon Jun 30 – Sun Sep 7
Marina Abramović: 512 Hours, Serpentine Gallery, Thu Jul 3 – Sun Aug 24
Colour, The National Gallery, Mon Jun 30 – Sun Sep 7
Edward Thomasson, Chisenhale Gallery, Thu Jul 3 – Sun Aug 24
Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection, Royal Academy, Sat Jul 5 – Sun Sep 28
Virginia Woolf: Art, Life and Vision, National Portrait Gallery, Thu Jul 10 – Sun Oct 26
Kazimir Malevich, Tate Modern, Wed Jul 16 – Sun Oct 26
And don’t forget to visit us at The Courtauld Gallery too!Categories: Uncategorized | Tags: abramovic, alfred wallis, ben nicholson, chisenhale gallery, christopher wood, colour, dulwich picture gallery, exhibition splurge, folk art, london galleries, malevich, National Portrait Gallery, royal academy, serpentine gallery, summer, tate, the national gallery, top summer exhibitions, virginia woolf, william staite murray | Comments Off
The intention: To raise awareness of art history as a discipline and encourage students to consider applying for the subject at degree level
The locations: New College Nottingham (NCN): An FE college in the centre of the historic Lace Market area and Creative Quarter of Nottingham that offers History of Art A Level and has a widening participation partnership with the Courtauld Institute. Nottingham Contemporary: A new and cutting edge gallery with generous and flexible exhibition space, currently hosting the Arts Council touring exhibition: “Somewhat Abstract”.
The organisers and deliverers: The Courtauld Insitute of Art’s Oak Foundation Young People’s Co-ordinator Meghan Goodeve & Alice Odin and Gallery Educator Helen Higgins, and Dr Lucy Bradnock from the University of Nottingham.
The Schools: NCN, Redhill Academy, and South Wold Academy
We were excited and apprehensive in equal measure: would the students materialise in sufficient numbers to make the event a success for The Courtauld and University of Nottingham staff who had kindly given their time and effort to make this event happen? If students did come, would they enjoy the experience and enhance their understanding and interest in art history? Would lunch appear on time? In the end it all went swimmingly – which all goes to prove that it’s better to be a Tigger than an Eyore, as all things tend to turn out well in the end. Around 50 students and 4 staff attended plus the 3 Courtauld staff members and Dr Lucy Bradnock from the University of Nottingham.
A variety of short talks and student activities kept a lively pace throughout the day and time just flew past. All the students were eager to participate and contributed freely to both open discussions and group activities. Their responses were excellent with mature, thought provoking and original ideas being generated. Perhaps a highlight of the morning session based in the lecture hall of the historic Adams Building at NCN was the curatorial group activity of planning and creating a gallery space to display a self-selected theme from a choice of images from The Courtauld Gallery’s collection. The results were diverse and imaginative, ranging from a focus on sophisticated themes through to actual 3D models of the envisaged gallery space and another focused on thoughts as to the use of lighting and positioning of works that promised an installation work in its own right!
Suddenly it was lunchtime and NCN provided a generous spread of sandwiches and fresh fruit, so generous that there was still plenty left over at the end – even with a room full of hungry teenagers! After lunch the whole group walked the short distance down the road to Nottingham Contemporary, moving from the imposing brick and stone grandeur of Adams to the geometric, cantilevered, utilitarian exterior of the gallery that has been nicknamed by some locals ‘the chicken shed’. Appearances, as we all know can be deceptive and once inside the gallery space students were excited by the size and diverse contents of the current exhibition that ranges through 4 large interconnected spaces. The day continued with activities centred on experiencing works of art face-to-face and evaluating curatorial decisions. The current exhibition Somewhat Abstract displays a wide diversity of art works across all mediums and drawn from a chronological range from early 20th century to contemporary; some easily recognisable: a Francis Bacon Screaming Pope “Head VI”, a Barbara Hepworth abstract sculpture, several Bridget Riley, Frank Auerbachs & Walter Sickerts, a Rachael Whiteread; others less familiar and equally intriguing – something for everyone and everyone found something that excited them. So much so that students were reluctant to leave when the final summary and feedback session were delivered in the cavernous and atmospheric setting of Nottingham Contemporary’s The Space.
By the end of the day all participants appeared tired but also content. Feedback from students revealed that they felt it had all been worthwhile and that they had gained a valuable insight into the challenges, attractions, skill sets and employability offered by art history, while the teachers of the participating schools were very enthusiastic and declared that they would be eager to take part in any future activities. The Courtauld team and Lucy looked exhausted, but they were very positive and felt that their efforts had been well rewarded by the enthusiasm and quality of responses from the students – so well done all and a special thanks to Meghan, Alice, Helen and Lucy for making such a herculean effort to organise and deliver the event - bravo and y’all come back real soon!
(Photos: AP Smith Pictures http://www.apsmithpictures.com/)Categories: Uncategorized | Tags: abstraction, curation, new college nottingham, nottingham contemporary, outreach, red hill academy, South Wolds Academy, widening participation, year 12, young people | Comments Off
We just wanted to highlight this brilliant video with Educator Fran Herrick discussing Edouard Manet’s A Bar at the Folies-Bergère:Categories: Uncategorized | Comments Off
We were so happy to welcome Ashton Sixth Form College to the gallery yesterday! This visit is part of a larger partnership with The Courtauld’s widening participation Art History Beyond London and Ashton’s Raising Aspiration programme. The day was spent researching and presenting on The Courtauld Gallery’s collection. Brilliant!Uncategorized | Comments Off
I spy with my little eye… The Courtauld Gallery’s painting Allegorical Portrait of Sir John Luttrell, 1550, by Hans Eworth in a Warburg panel!
Last year some of our young people made an animation all about this painting. Watch it here!Categories: Uncategorized | Tags: Animating Art History, animation, Central Saint Martins, CourtauldGallery, hans eworth, moving image, portrait, University of the Arts London, Warburg, widening participation, young people | Comments Off
As part of our Animating Art History project, the students made these amazing zines about their research and their own photography. We love them so much we wanted to share them with you!Uncategorized | Tags: Animating Art History, Central Saint Martins, higher education, photography, The Courtauld Gallery, University of the Arts London, widening participation, young people | Comments Off
Uncategorized | Tags: abstraction, art history, higher education, new college nottingham, nottingham, nottingham contemporary, schools, university of nottingham, widening participation, young people | Comments Off