Views and Reviews

Tag Archives for Histories


Patterns of Dissent: Contemporaneity in South Asian Art–Subodh Gupta & The Routes of Success

Monday, 10 June, 2013 by Ashitha Nagesh

Being familiar with Subodh Gupta’s large-scale sculptural installations, it was surprising to hear him speak at The Courtauld on 21 May– for his particularly modest, humble manner of approaching his own artworks and practice was somewhat unexpected in light of … Continue reading

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Medieval Work in Progress: Dr Robert Mills on Medieval Art and the Question of the Animal

Wednesday, 5 June, 2013 by Ashitha Nagesh

Although given a rather moderate-sounding title, as soon as Dr Mills started speaking about the bestialisation of the human in the context of medieval torture and martyrdom images, the seminar on the 22nd of May, “Medieval Art and the Question … Continue reading

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Memorabilia from an Age of Troublemaking – Liu Dahong and Katie Hill in Conversation

Friday, 17 May, 2013 by Megan N. Liberty

Chinese contemporary artist Liu Dahong began his presentation on 30 April by stating that he has lived through three dynasties—the first being Chairman Mao’s reign, the second when he left power, and the third the current regime. He explained that … Continue reading

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Beyond the Western Mediterranean: Materials, Techniques and Artistic Production, 650-1500

Wednesday, 1 May, 2013 by Anabelle Gambert-Jouan

On Saturday 20 April 2013, scholars gathered at The Courtauld Institute of Art for Beyond the Western Mediterranean: Materials, Techniques and Artistic Production, 650-1500, organised by Sarah Guérin (The Courtauld Institute of Art) and Mariam Rosser Owen (Victoria and Albert … Continue reading

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Utopia III: Contemporary Russian Art and the Ruins of Utopia

Friday, 5 April, 2013 by Lola Weddleton

In February, I attended the Utopia III conference held through the Cambridge Courtauld Russian Art Centre. The conference was the third in a series addressing the theme of ‘utopia’ within Russian art, with each focusing on a different time period; … Continue reading

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Natalia Murray on the Bolshevik Revolution of 1917 and the Quest for the New Art

Friday, 15 March, 2013 by Anne-Marie Tong

At the end of January, Natalia Murray spoke about ‘The Proletarian Art Enigma’ as part of the Modern and Contemporary Research Seminar. She began with the social and historical background of the Russian Revolution of 1917—aimed at establishing a homogenous … Continue reading

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Mark Cheetham, ‘Landscape & Language: from Conceptualism to Ecoaesthetics’ and Mark with Mariele Neudecker, ‘Re-Inventing Landscape Traditions for the Present’

Monday, 11 March, 2013 by Tom Balfe

In the late 1960s, the N. E. Thing Co., a Canadian art collective, produced a series of interventions exploring the connection between landscape and language. They set up road signs next to nondescript stretches of countryside with messages like ‘You … Continue reading

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Martin Myrone, ‘“Like a great circus tent”: folk art, art history and the museum’

Friday, 1 March, 2013 by Tom Balfe

It can be easy to forget how restricted a view of art production most of us really have. The works sitting pretty in our major museums and galleries are the towering emergent trees in our cultural ecosystem; while often wholly … Continue reading

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ORIENTALISM AND “ISLAMOPHILIA”

Tuesday, 20 November, 2012 by Tim Satterthwaite

This year’s Frank Davis Memorial Lecture Series, titled Histories in Transition, explores the theme of historicism in visual art of the modern period. For the third lecture in the series, Rémi Labrusse, of Université de Paris Ouest Nanterre, described idealist visions … Continue reading

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CURATORS IN DIALOGUE ON THE PERSISTENCE OF HISTORIES

Tuesday, 26 June, 2012 by Marie Collier

On the 20th of June 2012 I had the pleasure of attending Curators in Dialogue on the Persistence of Histories, part of the Revival: Utopia, Identity, Memory project led by Dr. Ayla Lepine, the current Andrew Mellon and Research Forum Post-doctoral Fellow. As … Continue reading

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