If dreams are the road to the unconscious, as Sigmund Freud famously proclaimed, drawing may be a way to reconnect to the dream content. Dreams – blurry reminiscences, which often seem meaningless and tend to fade away shortly after awakening – might be brought back through the drawing process. A manifestation of such resurfacing unconscious is Meret Oppenheim’s Taureau transportant une stèle (1933), a beautifully-executed aquarelle of a bull carrying a green stele with a golden finish, obviously alluding to a phallus. This is just one among manifold examples at Thessa Herold’s surrealist display for this year’s Salon Du Dessin. Can any other artistic medium compete with the spontaneous and intuitive way in which a drawing captures the resurfacing unconscious?
The Salon Du Dessin, which annually takes place in the Parisian spring season since 1991, offers diverse opportunities for getting to know artists on a much more intimate level, which may be concealed in their other works. A heavily laboured and re-worked painting certainly does not allow for the intuitiveness of drawing.
An especially intimate example is Mary Cassatt’s Mère et enfant (1898/99), a pastel and chalk drawing capturing the loving union between a mother and her child, in which the nutured infant seems to glow and blossom in colour. The way in which Cassatt renders the mother merely in chalk lines intimates how mothers would often give away everything they possess for the benefit of their children.
Élisabeth Vigée Le Brun Study for the Head of Madonna and Child renders the saint as an approachable earthly woman, who gazes down on us with tired eyelids. Her slightly undone hair that falls on her shoulder evokes parallels to Le Brun’s self-portrait at London’s National Gallery. In her self-portrait, the artist’s hair appears similarly tousled under her straw hat than Mary’s escaping strands of hair.
Whilst most contemporary drawings are to be found at Drawing Now, the sister fair of the Salon Du Dessin which takes place at the Carreau Du Temple in the Marais, a tiny section of the Salon is dedicated to contemporary drawing, where the three shortlisted artists for ‘The Daniel & Florence Guerlain Foundation Prize for Contemporary Drawing’ exhibit. One of them is the London-based Tomma Abts who emphasised the force of the spontaneity of drawing in a recent interview: ‘I like this spontaneity and when I do happen to begin works with a more precise idea in mind, this proves to be less interesting because what matters to me is the moment when the movement appears in the work.’
This year’s Salon Du Dessin certainly offered plenty of these moments of drawing intuitions.