Passing: Fashion In American Cities Call for Papers

Pepper LaBeija, Paris Is Burning (1990)

Hello,

Welcome back to the Documenting Fashion blog – hope you’ve all had a good summer.

We will be returning to our usual schedule with new posts on Tuesdays and Fridays – and don’t forget you can subscribe by entering your email address on the right of the page to be sure never to miss anything.

The new term starts in a couple of weeks, when I’ll be welcoming a new intake of students. In the meantime, let’s see what’s coming up … today some information about the Call for Papers for our amazing conference Passing: Fashion in American Cities in May.

And to develop this fascinating theme – some stills from Jennie Livingston’s incredible 1990 documentary Paris Is Burning exploring the world of New York’s 1980s drag ball subculture and the beautiful, intricate performances, in which contestants reimagined themselves through dress and vogueing.

Rebecca.

Paris Is Burning, dir. Jennie Livingston (1990)

Passing: Fashion in American Cities

The Courtauld Institute of Art, Somerset House, Strand, London

Saturday 5 May 2018
10:00 am – 6:00 pm

Organised by

  • Rebecca Arnold: The Courtauld Institute of Art
  • David Peters Corbett: The Courtauld Institute of Art

The idea of ‘passing’ and the issues it raises in relation to contemporary and historical notions of self-fashioning and identities is of central importance in a period of political, social and cultural upheaval.  The notion of passing also speaks to current discrimination and civil rights issues, and this conference seeks to examine the ways dress has been used to ‘pass’, to negotiate, resist and refuse contemporary prejudice, discrimination and status and beauty ideals.  We aim to explore dress, the body and the idea of ‘becoming’ – in relation to gender, sexuality, ethnicity, and class, with the city as a key locus for attempts to outwit social and cultural mores through the artful deployment of dress.

We welcome proposals that discuss actual dress, as well as its visual representation, with focus on the Americas as a diverse geographical zone in which growing urban centres and mass immigration have hot-housed conformity and, in turn, its resistance.

The conference seeks to highlight and interrogate this important aspect of urban self-fashioning to understand its place within dress practices and visual culture, and to develop analysis of its place within American social life.

Submission process: Please submit abstracts of 150-200 words in English, along with a short biography of approximately 100 words to passingconference@gmail.com by 29 September 2017.

 

CALL FOR PAPERS – Posing the Body: Stillness, Movement, and Representation

Gazette du bon ton, 1921, History of Dress Collections, The Courtauld Institute of Art

Gazette du bon ton, 1921, History of Dress
Collections, The Courtauld Institute of Art

Friday 6 May 2016, Regent Street Cinema, University of Westminster, 309 Regent Street, London W1B 2UW

Saturday 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN

CALL FOR PAPERS

Posing has been central to art, dance, and sculpture for thousands of years. In recent years, the growing interest in fashion media and modelling has also focused attention on questions of pose and posing. Incorporating notions of movement and stillness, posing can be understood in terms of historical modes of representation, as well as contemporary media and rapidly evolving relationships between bodies, subjects, and technologies of representation. Posing incorporates symbolic and semiotic meaning alongside embodied action and feeling. Recent coverage of the work of choreographer Stephen Galloway in 032c magazine, and new publications such as Steven Sebring’s Study of Pose: 1000 Poses by Coco Rocha testify to the growing interest in the cultural significance of posing and the pose – yet both remain under-researched areas with little discussion of their significance.

This symposium will assert the importance of pose as both a creative practice and an emerging area of critical inquiry. It will bring together multi-disciplinary academics and practitioners to discuss and develop new ways of understanding pose and posing in a historical and contemporary context. We encourage proposals for papers that address pose from global and diverse perspectives. This event represents a potentially fruitful and exciting moment to bring these strands together to the benefit of researchers within practice and theory-based media, historians of dress, photography, art and film and allied disciplines.

The keynote lecture will be delivered by David Campany, internationally recognised writer and curator, and Reader in Photography at the University of Westminster.

Possible themes include (but are not limited to):

Modelling (fashion and artistic)

Gesture Dance (popular and classical)

Pose and the everyday

Movement and stillness

Posing, corporeality and the body

Posing and social media (Blogs, Instagram, etc.)

Submission process: Please submit abstracts of 150-200 words in English, along with a short biography of approximately 100 words to Posingthebody@gmail.com by 2 October 2015.

Organised by Rebecca Arnold, Oak Foundation Lecturer in History of Dress & Textiles, The Courtauld Institute of Art; Katherine Faulkner, Study Skills and Widening Participation Academic Coordinator, The Courtauld Institute of Art; Katerina Pantelides, Visiting Lecturer, The Courtauld Institute of Art and Eugénie Shinkle, Reader in Photography, University of Westminster.