Muny Morgan: Photographic memories of Ravello, Italy

Having volunteered on the digitisation project at the Courtauld for two years in April (can’t believe it!), I always had my eye on the Italian section of the Conway collection. We process the boxes the order they appear on the shelf, which is alphabetical, so I knew it would take us a while to get to Italy.

I was so delighted on a recent shift when I had been asked to brief a new fellow volunteer on the accessioning task. We walked down to the Italian section of the library and, much to my delight, the next folder to sort was Ravello! I felt like I had won the lottery – though I’m not familiar with that feeling!

This stunning, magical, charming, quiet little town, for those of you who don’t know, sits 365m above the Tyrrhenian sea on the magnificent Amalfi coast, away from the bustling tourist havens of Sorrento and Positano, and has a very special place in my heart. I went there on my first holiday with my now husband and we loved it so much we initially planned to have our wedding in Villa Cimbrone, known as the terrace of infinity, though it didn’t happen in the end, as it was too complicated logistically.

Ravello. CON_B03049_F005_001

I have to say that at first, apart from the odd Kersting image, I didn’t think that the box had captured the beauty and magnificence of this place.

Ravello. CON_B03049_F001_001. The Courtauld Institute of Art. CC BY NC.

When I got home after my shift that morning I had a look at my photos to compare them to some of the places I recognised in the archive collection. I thought we had stacks (as we do now when we go on holiday with our children and with the less selective use of our digital cameras) but we didn’t. At the time we visited, digital cameras were not so affordably available and I also much preferred my SLR.

Ravello. CON_B03049_F006_005. The Courtauld Institute of Art. CC BY NC.

It made me wonder: had all my visual memories of this town been imprinted in my mind? Is the mind the best place to record our most enjoyable and visually memorable experiences, rather than on photographic paper or as a digital file stored on our computer? When I explored this idea and thought about all my travels abroad, I realized that the most memorable places and times in my experience do not have an extensive photographic record.

Ravello. CON_B03049_F001_008. The Courtauld Institute of Art. CC BY NC.

Perhaps I am romanticising my memories of this special place. But I can vividly recall the quiet glamour of the Villa Cimbrone, and the Ravello Festival concert in the grounds of Villa Rufolo that we happened upon as we made our way along the small winding streets with dramatic views of hilltop houses and the beautiful coastline to the Hotel Parsifal, the converted convent where we were to stay. And I can’t help but imagine that my experiences were similar to those of Escher, Greta Garbo, Humphrey Bogart, Virginia Woolf, Robert Wagner and Jacqueline Kennedy and other famous visitors who have come here seeking inspiration.

Ravello. CON_B03049_F005_023. The Courtauld Institute of Art. CC BY NC.

Ravello. CON_B03049_F005_024. The Courtauld Institute of Art. CC BY NC.

We always said we would return to this charming, magical place, but it would have to be for a very special occasion indeed to experience it all over again and alter the memories we have.

Ravello. CON_B03049_F005_018. The Courtauld Institute of Art. CC BY NC.


Muny Morgan
Courtauld Connects Digitisation Volunteer

Can Tony Kersting take you to your home town?

 

Managing the digitisation project of one of the most varied, mysterious, and extensive photographic collections in the world, in one of its most prestigious art institutes can look a lot like this:

and not much like the constant carousel of wonderful architectural detail that one might imagine. The volunteers, busy sorting through the images and penciling the accession numbers on the mounts, or zooming in to check the focus in the digitisation studio, are the ones who get to really see the collection, really make serendipitous discoveries. I have to make the time to go and explore, and be sure to do it too or else I might get to the end of whole months having only seen filenames, spreadsheets and conversion code on Terminal.

Belluno_Ponte della Vittoria e Duomo_Anthony Kersting Archive

Today I thought I’d go looking for my hometown – Belluno, in the Italian Dolomites – and see it through A.F. Kersting’s eyes. The 4293 Kersting negatives, which we plan to digitise as part of our project, are numbered sequentially and neatly stacked in their cases. To every negative number corresponds a handwritten entry on a ledger, so if you were to pick a number from the shelf you could easily look it up in the ledger and find out where the image was taken. It’s a bit more difficult to start your search from a specific city; on the negative there are only accession numbers and entries on the ledgers are also sequential by number, not by location. Besides, part of the mystery surrounding photographer A.F. Kersting is that he would travel so extensively: opening a page at random of his ledger you can see that one day he was in Jersey, the next in Scotland, the following entry would be in Munich, then Dubrovnik, then Madrid… which makes tracing his steps and locating a particular town very tricky – and transcribing the ledgers (another fascinating task reserved for our volunteers) very necessary!

Belluno_Piazza Duomo_Anthony Kersting Archive

What I do have to go by in my quick morning search is the prints collection, the selected negatives for which we have prints, and which are arranged by country. These prints were created by Kersting and are unnumbered but annotated in pencil at the back. I ventured to the Italy box and looked for my small town almost as a challenge, and there, to my delight, I found the squares and fountains of my childhood, almost untouched by time, with the only exception being the clothes of the passers-by and the cars parked where they shouldn’t be.

Belluno_Piazza delle Erbe_Anthony Kersting Archive

We are not there yet with the digitisation so what you see below are just some quick group snaps, but hopefully they will give you a taste of how wonderful a photographer Kersting was, and how extensively he documented every corner of the world he could reach. When we’ll have completed the digitisation of the whole collection you’ll be able to search by place and by date, as well as by accession number, and the collection will be truly open. For now, enjoy this small selection as a Friday treat.


Faye Fornasier
Courtauld Connects Digitisation Manager