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Ruixian Zhang: 18th Century China Under the Pen of William Alexander – an Amazing Journey Following the British Embassy

In 1792, William Alexander, a British artist born in Maidstone, Kent, was chosen to accompany Lord Macartney’s embassy to China as a junior draughtsman at the age of 25. Very few of his works dating from before this journey are known, so it is likely that this was Alexander’s first proper commission and it isRead more

Jessie Palmer: AF Kersting, Canary Wharf, and the removal of the fat cat

My key interest for the past year has been in the figure of the “Fat Cat”[1], to which none of the images I was looking at in the Conway Library could give a literal face. Yet, the collection of AF Kersting seemed to offer some light on my desire to continue looking at this selectRead more

Aya Bolt: Finbsury, Lubetkin’s Socialist Utopia

The Courtauld Institute of Art’s Conway Library houses an impressive photographic collection of architecture from a vast array of periods and locations. Some of the collection’s earliest photos are dated from the 1850s and these are a mere couple of decades older than the oldest surviving photograph of an image formed in camera. Given theRead more

Isabella Lill: Catching the Photographer

Barthes writes “A photograph is always invisible: it is not it that we see”, his point being that we don’t pay attention to the physicality of photographs. Because the photograph documents real life, when we look at a photograph we look past the paper or the screen on which we see it. We forget aboutRead more

Sophie Bailey: “I suppose it’s not the place’s fault”

Philip Larkin, when he was “coming up England by a different line”, remembered Coventry as the place “where my childhood was unspent”. New Towns like this are remembered (or unremembered) as gaps in the map of Britain, places to be avoided and embarrassed of. But before they were a joke, they were a dream. StevenageRead more

Verity Babbs: Kersting’s Modern Quirks – A Visual Essay

The limited number of biographical writings on Anthony “Tony” Kersting acknowledge his place among (and arguably his supremacy over) the greatest architectural photographers of all time, having “built up a matchless archive of architectural treasures”. What has rarely, if ever, been discussed, however, is the aesthetic appeal of Kersting’s portrait works to be found amongRead more

Samuel Cheney: Meeting the Photographer’s Gaze – Absence and Presence in Anthony Kersting’s Images of Nepal

Anthony Kersting (1916–2008) has primarily been remembered as Britain’s pre-eminent architectural photographer of the twentieth century, having extensively documented buildings across Europe, Asia, and the Middle East. Yet, by delving into a specific collection held in The Courtauld Institute’s vast Conway Library, we can see that it was not just the aesthetic pleasures of greatRead more

Peyton Cherry: Journey through Materiality – Communicating Familiarity and Distance

Contemplation on the Intimacy within the Kersting Collection   Throughout the multi-tiered, collaborative process of digitization at the Courtauld Institute of Art is a persistent emphasis on materiality. When we think of digital images – as copies, as mere representations of an object (which are themselves a version of the object as it occurs inRead more

The man who wasn’t there

Observing portraiture through the eyes of Anthony Kersting   When I first started my internship, I was in awe at the large collection of archives kept everywhere around the Witt and Conway library which is situated in the basement of The Courtauld Institute. I was so intrigued that I simply wanted to open every archiveRead more